I ain't dry-snitchin, but why should you be feelin bad If he get suspicious, bring up his old mistress You already locked down and rot down, but so delicious To wanna put this four-five on em, let's get it on, ma Just leave it where it is, he ain't aware of sleeping dogs lieīut keep a sharp eye on him, cause I'm the wrong guy I would leave every one of em, you just say it Lovin is pimpin, no rest have, with none of 'em
LLOYD STREET LOVE ALBUM NAME MOVIE
Ya cute as a movie star, in sin city, hennessey, my love slave Run through ya, undo ya bra, gimme medulla, uh Yeah, Nas be in the crib low, strip poll in itĬold guinness, bitter taste, slim waist, I'm gon hit itĪpple computer, e-mail me to come scoop ya If you could see that thoughts that's in my hair I'm a playa yes it's true but I'll change With making mozarella - no, making worlds bettterĬheese will come, believe me I'm, never focussed on the cashĪsk Mel Gibson, Jesus Christ, I'm bout the pass. "By the way, my little sister loves your cartoon"Īnd he don't, don't take it personal, he might be might be swamped "3000, forgot your credit card," smart move Half-way to my car when I heard shorty shout I started seeing some circles like some audiĮmblem, I'm hearing them say, 'come on manĭo this own your own time, get the hell on, man' We in the middle of whole foods, and those foolsĪin't supposed to beef, but you'd think they hated tofu theĬheck-out line got rowdy, my vision got cloudy I would have grabbed her by the waist and kissed her, but
So I'm standing there embarassed, if we were both in Paris Whatever that mean, you know old people say it so it sounds right Between that, "Girls," and a couple other standouts, Lessons in Love cannot be dismissed, but Lloyd will have to really change it up with his fourth album to evade a real holding pattern.I kinda laughed but it turned into a cough "I'm Wit It," a low-slung but urgent post- Neptunes strutter, is where Lloyd really excels, flashing some vocal gymnastics, swimming and diving through the beat while balancing desperation with swagger. And the heartfelt sentiment within the Outfield-referencing "Lose Your Love," earlier in the set, seems more of a put-on than any of Lloyd's tough-guy photo poses. That becomes increasingly obvious as the tracks roll on, especially during the latter half, where two of the album's more ridiculous tracks, "Party All Over Your Body" and "Touched by an Angel," are paired together, their disparate titles and sonics belying thematic sameness (or mindlessness).
Incorporating some more club-oriented material wouldn't have hurt the album, given how safe it tends to play it, filled out with gentle midtempo cuts and slow jams, much of which comes across as Street Love reheated. Dawn's "Set Adrift on Memory Bliss," a song that, like "You," quoted Spandau Ballet's "True." "Girls easily qualifies as this album's most major drawing point, fit for summer with that familiar bounding beat and breezy synth-string accents, not to mention Wayne, who can't help but humorously reference "Paid in Full." And, of course, there is Lloyd, the should-be honorary DeBarge, with his loveable wannabe-thug falsetto. & Rakim's "Paid in Full" and Milli Vanilli's "Girl You Know It's True," to name two of the almost countless - used on P.M. Lil Wayne's guest roles are the most obvious similarity between the two, while "Girls All Around the World" is built around the same drum break - the one from Chuck Brown & the Soul Searchers' "Ashley's Roachclip," a source for the likes of Eric B. The big lead single from Lloyd's third album, "Girls All Around the World," has a couple connections with "You," the number one R&B single from 2007's Street Love.